In Marvelous Things Overheard (Farrar, Straus and Giroux, 2013), Ange Mlinko‘s poems exhibit a sonically rich landscape articulated by a beautiful voice that is so measured and covert that history itself is seduced into singing to us who are decaying in the present. Mostly centered in the Mediterranean, Mlinko’s poems guide us into the prefectures of time to recover and reinvent the enchantment of our beginnings and by doing so enlarges our imagination as we move into the future. While her themes are global, her eye is local, and the combination yields a sort of prudence most of us have forgotten we need in order to live more truly and more fiercely. During out chat, we talk about her childhood in Philadelphia, her years in Morocco and Beirut, the Mediterranean’s impact on her poetry, and so much more. I hope you enjoy the interview as much as I did.
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